ELL GEE

Speaking at a conference and having 98% positive feedback has gone straight to my head. My thinking has now entirely bypassed my MA thesis and gone straight for the PhD. Currently considering:

• Running Water in Raymond Carver’s Short Stories. 

• Tall Stories, Tall Buildings: Architectural Oppression in America’s Written Cities. 

• “A house divided against itself cannot stand” : Narrative Illusions of Home and Family.

• The Transparent Mirror, the Expansive Seas of Glass: Literary, Literal and Abstract Senses of Postmodernist Self-Reflexivity. 

…Fuck. I am pretentious. 

I write vignettes and I write them well. I doubt I shall ever write anything of any substance greater than the length of a paragraph. However, I shall take hope and reassurance that what I pack into my paragraphs of tone and texture is more than some novels. I’m waiting to become McCarthy or Nabokov, for every sentence in each 500 page book to hold the weight of the world or a heavy heart between each full stop. That’s the plan.

In discussing the history of American violence, Christopher Waldrep and Michael A. Bellesiles view violence as a ‘domestic tradition, rather than an instrument of foreign policy’. Certainly, in the most shocking and controversial depictions of violence in contemporary American literature, violence occurs domestically, meaning both within the borders of the USA, as well as having a clear but complex relationship with the space within a house and home. This is referring to the relationship between the domestic space and violence, rather than ‘domestic violence’ in the ‘traditional’ sense.
Patrick Bateman of American Psycho by Bret Easton Ellis and Kevin of We Need To Talk About Kevin by Lionel Shriver both expose the difficult relationship that the violent characters have with ‘the domestic’, including; the relationships associated and formed within this space, the architecture of the home, and the impact of a domesticated American whole upon these iconic figures of fictive violence and their actions. The roots of American identity and masculinity have created a condition of life that create violent acts and it is the dichotomous constructs and expectations of the home and the political state that perpetuate both the real and fictive violent cultures within this country.